Editing sensibilities
I'm an editor, pure and simple.
Oh sure, I can write, too. Usually with complete sentences and everything. My particular facility, though, is with bringing an exquisite precision to the already turned phrase.
My greatest work-wise treat is the proofreading gig. Give me a book-length proofreading project on just about anything (and a tight, sensible house style guide always helps), and I'll turn it around yesterday. I've never proofed a book or journal article that I couldn't stand. The process makes the meaning for me.
I grew up, professionally speaking, in the composition department of a well-known Midwest printing company as a proofreader and graduated to typesetting (briefly) and then copy editing. I wouldn't trade my foundation in technical proofreading for any other influence in my career. The training was exacting, deliberate, comprehensive. I was fantastically good at it, and the experience carries my editing sensibility today.
I've asked myself and, haphazardly, a handful of colleagues, How are publishers (I'm pretty sure most printers have dissolved or relocated overseas their comp departments_would love to hear if I'm wrong) training their proofreaders? Still in the dark, and somewhat concerned for this element of the publishing industry, I pose the question to you.
In the meantime, the working freelancer in me guides you (especially you who are looking to hire working freelancers) ever so gently to my profile on LinkedIn at http://www.linkedin.com/pub/joyce-dunne/5/88b/903.
Best,
Oh sure, I can write, too. Usually with complete sentences and everything. My particular facility, though, is with bringing an exquisite precision to the already turned phrase.
My greatest work-wise treat is the proofreading gig. Give me a book-length proofreading project on just about anything (and a tight, sensible house style guide always helps), and I'll turn it around yesterday. I've never proofed a book or journal article that I couldn't stand. The process makes the meaning for me.
I grew up, professionally speaking, in the composition department of a well-known Midwest printing company as a proofreader and graduated to typesetting (briefly) and then copy editing. I wouldn't trade my foundation in technical proofreading for any other influence in my career. The training was exacting, deliberate, comprehensive. I was fantastically good at it, and the experience carries my editing sensibility today.
I've asked myself and, haphazardly, a handful of colleagues, How are publishers (I'm pretty sure most printers have dissolved or relocated overseas their comp departments_would love to hear if I'm wrong) training their proofreaders? Still in the dark, and somewhat concerned for this element of the publishing industry, I pose the question to you.
In the meantime, the working freelancer in me guides you (especially you who are looking to hire working freelancers) ever so gently to my profile on LinkedIn at http://www.linkedin.com/pub/joyce-dunne/5/88b/903.
Best,
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